Monthly Archives: June 2011
Application developers, journalists and editors discuss how apps can help resuscitate online magazines and the challenges they face.
Asymco, a Helsinki-based industry analysis advisory firm, have predicted that the income generated from online application sales will overtake the income generated from digital music sales within three years.
The February 2011 ABC figures revealed that just four out of the top-12 magazines publishing houses have registered a profit on year-on-year sales.
Alex Watson, Head of App Development at Dennis Publishing (one of the four companies to register a profit), admits that it’s a very exciting time for applications. ‘Their importance has taken people by surprise. You’re at a point where it has become a multi-billion dollar industry within three years so there’s a significant consumer interest in them.’
Apps vs websites
But Jack Parsons, editor of Listed Magazine Bournemouth, doesn’t feel that apps do much more than a website. ‘I feel apps are just an extension of the internet. It’s just an extension of what the net did already. They’re exciting and fun but it doesn’t have the content more than the net, it just means it’s in your back-pocket.’
So how can apps differentiate themselves from content on the website? Watson describes a successful example Dennis Publishing have used:
Media lecturer, former editor and journalist, Chris Wheal, says, ‘If you want to read several publications and have to have all those apps, then its just quicker going online. You can sit with your computer open and get an RSS feed from each and do it much quicker. Apps aren’t there to be readers but to engage the audience.’
Former FT.com news editor, Liisa Rohumaa believes that apps are there to benefit websites. ‘The best apps will do things differently from the website. They are, after all, there to compliment a website and not replace it.’
Good app vs bad app
Depending on the level of intricacy and scale of designing and production involved, it can take anything from a few weeks to a few months (games) to produce an app. Watson says that since the app industry is relatively new (three years), there’s no standard way of doing things and it’s more a case of learning through research and development.
As an app developer, Watson says the challenge is not to get carried away with the amount you can do. ‘Users like to see you using animation, gps, accelerometer, etc. Multimedia, too, is extremely important but you don’t want to put flashy stuff in there just for being flashy. It has to help the user do what he needs to do. It’s difficult to strike a balance between usability, being attractive and pulling the user in.’
He says that apps are definitely not a fad as they are already so popular even though not everyone owns a smartphone. From the looks of things, Asymco totally agrees with him.
Editors and journalists talk about how the magazine industry can survive despite fall in sales and publications migrating online.
Every February the Audit Bureau of Circulation releases the circulation data for magazines and magazine publishers in the UK over the July to December period. A glance at the data for February 2011 consumer magazines shows that the year-on-year percentage of sales by publishing houses has been falling drastically.
Only four out of the 12 publishing houses have registered a year-on-year percentage increase in sales, the highest being 0.7% (BSkyB and Dennis Publishing)
The reality is that, like newspapers, magazines sales, too, have dipped massively in the last few years. Computer Weekly and Accountancy Age join the list of magazines that have migrated to online-only magazines in the recent past.
Chris Wheal was the former sub-editor of Computer Weekly. He says that people misunderstand what the product is in a magazine:
Migration happening, but slowly
According to Wheal, ‘The biggest effect the internet has had on this is that it helps the advertiser reach a larger audience for the same amount.’
Gareth Weekes was the former news editor of Accountancy Age and spoke about how it relied entirely on its revenue for client advertising. He points out that today you can walk into any big company and get a customer loyalty magazine for free. But he reckons that for some publications the allure of multimedia works better to entice viewers online as opposed to the physical copy.
Clare Hopping, editor of Know Your Mobile, an online website owned by Dennis Publishing, agrees with Weekes, saying, ‘With digital, you can do micro-sites and resource centers. It can be produced instantly, so you can get there a lot faster than you can with print.’
But she doesn’t believe that online titles have an advantage over their physical counterparts, mainly because people still get attracted to glossy magazines, especially on journeys where internet access is a problem.
‘People want something to hold. You can’t access websites on a train or when there’s bad signal. Five years ago everyone was talking about how print will die out and how websites will take over but we haven’t seen that at all or as much as everyone’s been saying we’re going to,’ says Hopping.
Online blogger, journalist and author, Paul Bradshaw, says, ‘Though the audience and advertising for magazines is going online, readership has not been affected drastically because magazines are a more luxurious, higher-end product.’
Finding a Niche
Wheal agrees that magazines still hold an advantage, which they need to use wisely. He says that magazines can still survive, provided they carve a niche for themselves in the market.
He uses the success of The Economist as an example to prove that magazines can survive both physically and digitally so as long as you ‘have a strong brand and a niche audience that have a good excuse to invest time and money in your product.’
Before he became a best-selling author, Andy McDermott, worked as an editor for DVD review. He reiterates the importance of standing out from a crowd: ‘Games and entertainment magazines will suffer because that’s exactly what you can find online. If you’re too general you stand the risk of losing out too quickly.’
Wheal’s solution is for magazines to clearly separate their online and print audience. He says that only the analyses, features and big discussions should be saved for the print magazine.
Though it clearly seems that magazines hold an advantage with their glossy formats and alluring headlines, they need to reinvent themselves and find a niche they can specialize in. Otherwise browsing speeds and 3G may eventually catch up with them.
Dr Roman Gerodimos from Bournemouth University shares the results of a social experiment which challenged its volunteers to be without any forms of electronic media for 24 hours.
The 2010 Ofcom Communications Market Reports states that the average Brit spends more than half of their waking day (between 9 and 10 hours) either online, on the phone or watching television. This means that we are glued in to some form of media or the other, often while doing our daily chores. We’re so used to living in a world where we’re controlled by media and technology that the thought of losing it for for a few hours seems impossible, let alone a day.
But at the start of the 2010 semester term, 530 first-year students from Bournemouth University pledged to give up all forms of media for 24 hours. They were joined by students from Europe, Asia, Africa, North and South America. Dr Gerodimos was in charge of organizing the media black-out to the first-year students.
Re-discovering our love for books
‘When people have media taken away from them, they do things they would not normally do – like read books, meet other people and socialize,’ said Dr Gerodimos.
He said the biggest medium to have gained from this experiment was books as the students all seemed to go back to titles on shelves that lost priority over other more current-forms of media.
‘A lot of people were surprised to rediscover their love for books. They had this revelation of how much they liked their books. They sat down to read a chapter and finished a book. The way we use the media, we don’t allow ourselves the opportunity to use books. It’s not like we more important things. We just fall under a habitual pattern. It sucks the air from other things.’
Shorter attention spans and multi-tasking
Andy McDermott, who has just sold his millionth copy with Empire of Gold, lives in his pad filled with gadgets – Playstation 3, Kindle, iPad and endless amounts of DVDs. From personal experience he, too, admits that things have changed drastically over the last few years.
‘My attention-span has definitely decreased,’ says McDermott. ‘I could finish an entire book in one sitting a few years back, today the same book takes me two days to finish because there’s always something else to do. Even when I’m reading a book on the iPad, I can’t concentrate as I’m always a swipe away from Facebook or some other app.’
‘The pattern in which we use new media, especially like internet and smart phones may indirectly affect our other activities. Its not like Facebook causes cancer. Its not like consuming a specific medium will have a direct effect. Its just that you have less time to do other things. You have more multitasking and less deep reading. None of my students have ever read a whole journal article without printing it off. That’s not what they see it for,’ says Dr Gerodimos.
‘When the medium is taken away it reminds them of books. You think you have loads of options in new media and a lot of choice with millions of websites, but realistically you visit the same 10-20 websites and then there’s a long tail. If you see the activities we’re involved in, it’s like 3 or 4 activities and then there’s a long tail, so it’s that choice/freedom which is very overestimated.’
Not everything we do online is meaningful
Even though the day was as eye-opener for media students, it was well received and many of them want to try it again. Some re-discovered their love for books, while others discovered their dependence on the media, but some students received the biggest anti-climax of their lives when…
‘Some people who were dying to go to Facebook but when they signed in after 24 hrs, they got the biggest anti-climax of their lives as they had zero notifications. This encouraged them to realize that not everything we do online is meaningful. This experiement helped them appreciate the benefits of everything we take for granted.’
Click here to read the worldwide study’s Top 5 Highlights.
Click here to read Bournemouth University students recount their 24 hours without any form of media.
Early on Thursday morning J.K.Rowling put an end to the Pottermore suspense that was unveiled last week. And as we guessed, it IS the digitised copies of the world-famous Harry Potter series, along with a new interactive website for fans. The announcement was delivered at an event in London earlier this morning.
Rowling said that Pottermore will go live in October but a select few Muggles will get the chance to experience the magical world early after registrations open on July 31.
The seven books in the Harry Potter series will be available as ebooks and audiobooks from October this year. Apart from that, the website will also feature 18,000 words of unpublished work by J.K.Rowling.
This will give fans a chance to play, interact and delve into the wizarding places that made the books one of the most successful series of all time and made Rowling richer than the Queen of England.
Interactivity and multimedia
The sections users can hope to re-visit on the website will be Platform 9 3/4 at London’s King Cross station where the wizards boarded the Hogwarts Express to school; Diagon Alley where, in typical wizarding tradition, their wands will chose them; and Hogwarts School of Witchcraft and Wizardry where they will be sorted into the four wizarding houses – Gryffindor, Ravenclaw, Hufflepuff and Slytherin – by the Sorting Hat. They will also get a chance to duel using curses and charms.
Rowling admitted to reporters at the event that Pottermore gives her a chance to be creative using a medium that did not exist when she was writing the books. She will incorporate the thousands of ‘stories, drawings, ideas and suggestions’ that she still receives from fans four years after the last book – Harry Potter and the Deathly Hallows – was released.
The website will contain elements of gaming and social media, whilst being informative and staying true to the books. Like the digital books, the website will be available to users in English, French, German and Spanish.
As more and more authors and publishers recognize the importance and effectiveness of digital and multimedia publishing, Pottermore may well be a landmark in this regard, just as the books were a raving worldwide success.
Alice for the iPad is another iPad application that uses the full extent of multimedia and interactivity to bring words to life.
No plans for book eight: Rowling
The author said she has no plans to write an eighth book and even though the digital website will share visual elements from the world that she created, she wants to keeps the focus on the ‘reading.’ Pottermore is her way of reconnecting with a character and a universe that she really loves.
She admits that Harry Potter was the boy she shed the most tears for after the completion of Harry Potter and The Deathly Hallows, which is now hitting cinemas in its final installment on July 15.
Authors and publishing experts discuss the digitisation of the publishing industry and the exciting crossroad that we’re at.
For the first time since the invention of the printing press, America recorded higher digital sales than physical copies in February 2011. With the Amazon Kindle and Apple iPad doubling up as ebook-readers, its not rare for a UK child to not have a book.
‘Digital is the most exciting thing to have happened in many many generations for publishing,’ says John Mitchinson, a former publisher with over two decades of experience in the trade. His views are echoed by Dr James Pope, a media lecturer at Bournemouth University, who firmly believes that, in the years to come, books will come alive with interactivity.
The problem of piracy
But author Andy McDermott, who has just sold his millionth physical copy, believes that because things have mushroomed so fast, publishers face the challenge of systemising the process, so that things don’t get out of hand, like it did with the music industry:
Decreasing attention spans
But why are we becoming an increasingly digitised population?
‘Our attention spans are shifting. We want more immediacy and a bigger impact more quickly. That affects how we interpret things as well. It’s just human life evolving,’ says Tricia Walker whose book Benedict’s Brother is being converted into a movie.
But Dr Pope believes that we don’t have shorter attention spans, it’s just a matter of what keeps us interested: ‘If people did have shorter attention spans, then no one would go and watch a film because they last for about 2-3 hours. It’s just that the media and our behaviour have changed alongside each other.’
Mitchinson believes this will not affect the power of a good narrative: ‘Short attention span is part of the human condition. The modern age may have accentuated it because there are a lot more things to do but I don’t think it spells the end of the narrative. Things are adapting and changing and this is a good thing.’
Does this mean books are dead?
Mitchinson, one of the brains behind Unbound, says that digital books are not killing the physical copies. ‘What will happen is that physical copies will make great gifts, especially if they are beautifully bound and typeset, or else, they will have to be signed as collectible first editions.’
The rest of the authors on the panel, too, agree that digitized books and interactive websites are the way forward and that physical copies of books may just become collectable items.
McDermott, however, says that there will always be the rare exceptions: ‘One in 10 films actually makes a profit by Hollywood standards. But the profits they make are enough to make up for the nine that don’t. It looks like the book industry is headed that way.’
He adds, ‘There are obvious superstars like (J.K.) Rowling and (Dan) Brown who are guaranteed mega-sellers. The amount they make gives their publishers the confidence to put out things and take a risk with it.’ But, he, too, agrees that we are on the cusp of a digital revolution.
Mitchinson sums it up best saying, ‘Apps are redefining books and how one would read and interact with the text. It’s like Cortez looking out over the Pacific. We are right at the beginning of a huge adventure. It’s much bigger than even the invention of a paperback. This digital revolution really is like Gutenberg all over again.’
Tricia Walker’s book ‘Benedict’s Brother’ was gathering dust on the shelf after being rejected by numerous authors. She soon realised she didn’t need a publisher when she had a blog.
Benedict’s Brother was written 13 years ago by Tricia Walker. Even though she worked on it with an agent and had an award-winning writer mentor her, publishers refused to buy the story. She reluctantly let the manuscript retreat to the confines of her bedroom drawer.
In August 1999, Blogger – known for being one of the earliest web-publishing tools – was launched by Pyra Labs. In Fedruary 2003, Pyra Labs was acquired by Google. In May 2004, Google enhanced the look and feel of Blogger with web templates, post archives and posting via e-mail.
In August 2006, Walker, deciding that her story was not worthy of drawer-dust, decided to resurrect her book via a blog – something she had only heard of. It helped that her story was a journey and that telling it through its actual time-line served the dual purpose of helping readers keep pace with the plot while leaving them insatiable for more.
According to Blogger, the live blog of Benedict’s Brother has 1223 views from its first post in August to the end of the book in December 2006. It can be read in its entirety here.
‘I did it in instalments in real-time with the actual story. I did an instalment every two weeks,’ says Walker. ‘It was then published with a small publisher; we had a launch, which was the biggest-selling launch for Borders UK bookstores that year.’
Six months later Benedict’s Brother was named ‘Top 3 Book of the Year’ in Publishing News, alongside some award-winning authors. ‘I was pretty much blown away by its success,’ she said.
Did she lose out on an audience because she published the whole book online? ‘No,’ says Tricia. ‘Infact, more people wanted the book because they liked what they read on the blog.’
She says that her blog worked because her story still had relevance after all those years and the fact that it was written in the form of a diary which began in August and concluded in December.
She recenty received the wonderful news that Benedict’s Brother will soon be turned into a motion picture. So who will portray her (the protagonist) in the movie? She crosses her fingers and gushes with pride when she takes the names of two very famous British actresses. But she doesn’t want to jinx it, till one of them signs on the dotted line.
Just back from Cannes, life cannot be any better for Tricia Walker, who is planning to write the sequeal to Benedict’s Brother on her new i-Pad.
Harry Potter author J.K.Rowlinghas released a new website for fans of the franchise. The announcement comes just when fans thought that the final installment of Harry Potter and the Deathly Hallows would be the last they would get to see of the boy-wizard.
The website is named Pottermore. It has a picture of two owls (one presumably Hedwig). The only text on the website, apart from the name, reads ‘Coming Soon…’ with Rowling’s signature scribbled on the bottom.
But once you click on any of the two owls, you get a link to a YouTube countdown page, giving you a countdown untill J.K. Rowling’s announcement. The date suggests the announcement will be made at 11am on June 23, 2011.
The final installment of Harry Potter and the Deathly Hallows releases on July 15. Tickets for the same went on sale on June 15 and, not surprisingly, sold out quickly – especially the midnight premier.
A spokesperson for the ‘world’s first billionaire author’ said that the Pottermore website is genuine, adding that it is not a new book but that fans will have to wait till the announcement to know what it is.
The Leaky Cauldron, a Potter fansite, are the only ones to have been granted exclusive access to Pottermore. They have described it as “one of the most amazing, engaging and breathtaking additions to this fandom imaginable”.
Unless I’m wrong, it looks like J.K.Rowling is creating something spectacular using digitization and technology. According to The Telegraph, Pottermore is rumoured to be an interactive website.
There is also a Twitter account @Pottermore created to promote the website. At the time of publishing this article, it had two tweets and was fast gaining mileage with 35,000 followers in less than a day since the account was created.
I’ve been trying to find out the significance of the day and the closest I can come to that is the fact that the first Harry Potter book (Harry Potter and the Philosopher’s Stone) was released 14 years ago (1997) on June 30, marking the birth of one of the best-selling brands of all time.
But what EXACTLY will this ‘mystery announcement’ be? Looks like we Muggles will just have to wait till June 23, 2011 to find out.